Below is the eighth segment of my new short story—’A Surprise Visit’—never published before.
Soon, a song by a men duo—the same slow, lingering tune she’d heard earlier in her head while in the bathroom—filled the room. Next, Noa turned the overhead light off.
“Pretend it’s your old shack there, years ago,” she said and rushed to the bathroom, closing the door behind her.
Beni stayed put, stiff and pale. He glanced at his wristwatch, and then zipped up his bomber jacket. He collected his cigarettes and matches and shoved them into his pocket. He looked at the small, single record still spinning, resisting the pull of the song. The flame of the candle was gaining strength, just as he looked at the red wall behind the bed. And again, what he saw there was not the dance of the candle’s flame, but a black and white photograph: An open gravesite, with two soldiers standing close by, their heads bowing down; the arm of the tall, blond soldier resting loosely on Beni’s shoulder.
At the same time, by her mirror, what Noa saw—listening to the song, praising old places, old times and old folks—was a bed with two naked bodies lying still, entangled in a lovemaking embrace. Expansive moonlight was pouring down on them through the wide-open window, covering their bodies with a blanket of silvery glow.
“Get undressed, Beni,” she called loudly. “I won’t kill you.”
But when she opened the bathroom door—white naked, only the black sweater tied loosely around her waist—she found her room empty. And empty of music, too, just the sound of the needle could be heard, hitting the end of the record repeatedly.
“Bastard…” she cried and ran to the door. She opened it wide into the dark city night. “Why did you bother me?” she shouted into the wind. A chilly wind that forced her to close the door. She looked at the bed, at the empty wine cups and coffee cups, at the remnants of the cake, at the book he’d brought her. Her eyes were shiny red; her face was dead pale; blue veins bulged in her neck.
She moved slowly, unsteadily into the center of the room. And suddenly, with much force, she kicked one of the coffee cups. It hit the wall directly and was shattered into pieces, splashing muddy coffee on the red wall. She looked at it for a moment but didn’t care one bit; she was about to collapse on the bed, feeling the tears shooting into her eyes.
But then her look fell on the easel, and on the unfinished painting of the young woman sleeping. Or dreaming. Her eyes caught something and she kneeled down by the easel. Her sweater fell off as she picked up a thin brush and dipped it lightly in water first, then in color. She began to paint, adding some brown into the mostly red background. She soon stopped and examined what she had just done. She liked it. So she continued to paint, both she and her subject stark naked.