Meet Me in Baghdad at Sundown (Last Part)

Only 2 minutes remain before midnight when Akef thinks about the two women in his life. His wife, who in fact had encouraged him to leave Baghdad, is no longer on his side. She is on her father’s side. She can’t live for long without all the amenities and privileges she was accustomed to since childhood. It is like a second nature to her now. And all the promises and vows to stick by him no matter what, to kill herself if he would be killed – are worthless. He is certain of that. Ab­solutely worthless. She begs and cries and terrorizes him constantly with her quest to go back. She is ready even to sleep with him again, like in the good old days when he, not her brother, was the chosen heir to the throne. And this willingness on her part is a sure sign, above all else, that something is wrong here. Very wrong.

And at the same time he knows, with the same certainty but with­out any proof to support it, that the one real woman in his life, his young mis­tress – is dead already, a victim of gang rape and brutal mutilation. (Recorded on videotape, no doubt, for the enjoyment of his enemies.) He was allowed to keep her only because everybody else – upon reaching a cer­tain position of dominance and influence – was allowed, required al­most, to do so. It was a sign of maturity and power, a privilege of sorts. But it was, still is, no secret; as there are no secrets at all in this barbaric, if modern regime.

He longs for her so much, misses her so terribly, but at the same time he knows deep inside his heavy heart that it is futile: she is in a different world already.

And it so happens that when only 1 minute remains till mid­night, Akef still can’t decide what he is going to do when the telephone would finally rings. He finds himself caught between the hammer and the anvil, as the elders used to say back in his village, and can’t see a way out of it. But, as he looks with dismay at the peaceful, yet so menacing black instrument, and then stares fearfully at the electronic clock, as if trying to prevent it from moving forward, he suddenly thinks about Allah: the one and only God. He must put his trust in Allah, and in his son Muhammad, to guide him out of this dark tunnel. After all, Allah is the real Supreme Ruler, and in his name he did all those terrible things he was forced into doing. He just obeyed the damn orders, anyway; he was always an obedient servant. And suddenly – as if it were not so much by his own volition, but rather he is forced into it by a power much greater than himself – he falls to the floor and puts his head on the rug in the direction of the window, and hopefully Mecca. His eyes, however, are full of tears; he is praying silently for forgiveness and guid­ance, for…

The telephone rings while Akef is praying and catches him by surprise. He raises his head from the rug and glares at it, just when it rings for the second time. He crawls on the floor towards it and stops by the small coffee table, as the third ring sounds. He then raises his hand above the telephone, hesitating still, his mouth dry like the mouth of a dead man, when it rings for the fourth time. It is as if Akef didn’t expect this call at all, as if he didn’t anxiously wait­ed for the telephone to ring for the last 10 minutes, the last 6 months – since that terrible dream in Baghdad. Or, as a matter of fact, waited for it his whole life.

His wife, Layla, picks up the receiver on the fifth and final ring. He did not hear her opening the door, nor did he see her coming in. But now, as she stands above him smiling, reminding him of her father more than ever before; it seems so right, so befitting, so natural – the telephone cord resembling a hanging rope – that she would be the one to hand him the receiver. He takes it from her, his hand shaking heavily, even though he knows with absolute certainty who, carrying what message, is waiting for him at the other end: The angel of death, instructing him to meet him in Baghdad at sundown.


Leave a comment

Filed under Literary

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s