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Calculated Moves

Magical Realism in the Time of Corona

My short story, Calculated Moves—the second-place winner of the 2021 ‘Moment-Karma’ short fiction contest—has been published in Moment Magazine (founded by Elie Wiesel in 1975), both in print and online. The story, “Calculated Moves,” is a timely exploration of aging, COVID, memory and loss

But first, below is what the contest’s final judge, the author Susan Coll, wrote about the story, and then my reflections on her verdict.

“Calculated Moves is the poignant, affecting story of aging in the time of COVID. The protagonist, an elderly occupant of a Jewish retirement center, believes he has become part tree. Resentful of his son and daughter-in-law for forcing him to move into this new living arrangement after observing his forgetfulness, as well as a recent fall, the narrator considers his new home an asylum, self-identifying as an inmate rather than a resident. His struggles with the onset of dementia blend lyrically into the realm of magical realism, creating a moving and memorable story.”

Naturally, I’m inclined to agree. I particularly like, and would explore here a little, the definition of ‘magical realism’ in the context of this story. Because ultimately, that’s what I’ve tried to do: inject some magic into the dreadful reality of the coronavirus pandemic we were—still are, to a degree—facing. Especially at the onset of this plague, it was so, before we had vaccinations and some norm of control over the spread of the disease. Indeed, it had turned our lives upside down in the most ruthless, unexpected ways. And that, in part, is what I’ve tried to convey in this story.

I’m a great admirer of the late, Nobel Prize-winning Colombian author Gabriel García Márquez, specifically his novels One Hundred Years of Solitude and Love in the Time of Cholera, both of which I’ve read twice, in Hebrew and in English. And so, it’s a great honor and compliment for me to be attributed this praise, ‘Magical Realism,’ in the context of my short story. After all, it’s a definition and an art form that Márquez is widely regarded as the modern inventor of.

Throughout the process of writing, Love in the Time of Cholera was on my mind in particular, and for obvious reasons. Even those of you who haven’t read this magnificent novel yet can infer from its title the said connection. And so, whether as a young man you are consumed madly by love, or as an old man you are eaten away by regrets, depression, and the onset of dementia, the horror and seclusion of a global pandemic manage to highlight and heightened your ailments.

And yet… one has to find a way to keep going. To keep the struggle to the end. To not only stay the course, stay alive, but maybe find some extra meaning still, some pure magic in the heavy burden of reality. And in your own life, too. Which is what—without giving too much of the story details away here, since I hope you’ll read it, and would certainly like to hear your thought about it—I tried to do both in my life in the time of corona, and in the life of the hero of this story.

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The Mysterious Texture Of Memory

Below is the fourth segment of ‘The Mysterious Texture of Memory,’ a new short story—based, however, on my award-winning short memoir, the ‘Sweet Life.’

Our opening move was brilliant, but it brought with it some complications as well. We sneaked quietly through the hardly used, narrow dirt paths, known only to us kibbutz’s boys we believed, and arrived at dark behind the big lawn some ten minutes after the film had already started. But no matter: we reached our destination safely, since the attention of the enemy was distracted by the sights and sounds of the film. At the same time, the consequences were that we’d missed the titles and credits at the beginning, and therefore the chances of learning the meaning, in Hebrew, of the three magical words in the film’s title—important especially for me—were reduced dramatically.

Still, I was undeterred. And fortunate enough, as my friends and I knew very well the layout of the big lawn, stretching like a giraffe’s neck between two rows of shacks. On the one side, farther away from us, the shacks were used mainly by young people during their army service, and by new Olim in the Ulpan, here in the kibbutz to study Hebrew. They could, had they wanted to, watch the film from their windows. On the other side, from where our young and small commando unit was launching its attack, the shacks were used as the clothes’ warehouse of the kibbutz, and also as its sewing-room. It was there that some of the clothes we uniformly wore were fixed and sometimes made. Twice a year, before Rosh Hashanah and Passover, we were fitted there with our holiday best.

Behind one of these shacks, our hearts beating madly, our threesome unit came to a stop. We used the carrots’ box as a stepladder and tied the rope to a post supporting the shack’s roof. We climbed up one after the other, and used the thick winter blanket I’d brought along as a silencer to muffle the sound of our crawling on the tin roof. Once our daring operation was accomplished, we lay down quietly on the blanket at the edge of the roof.

The scenery in front of our eyes was magnificent. Down on the lawn there was a large pile of people huddled together, as if hugged from both sides by the bushes, the trees, and the shacks. Two-hundred fifty people or so, about the entire adult population of the kibbutz, were spread beneath us on the big lawn. Most of them were couples in each other’s arms, but some—like my father—were alone with their film-recliners. At the back there were two rows of chairs for the elderly and the infirmed, and in their midst stood the film projector, sending beams of bright lights to plow the field of darkness ahead, and hit the big white screen in front. It stood tall and wide there, that screen, supported by two wooden posts. Behind it, the main dirt road traversing the kibbutz was winding, where the occasional tractor or car would pass by even during the showing of the film.

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The Mysterious Texture Of Memory

Below is the third segment of ‘The Mysterious Texture of Memory,’ a new short story—based, however, on my award-winning short memoir, the ‘Sweet Life.’

My father was a kind-hearted man but mostly sad. He made us hot tea in the winter and cold lemonade in the summer, always with toasted bread, then left us alone. He listened to the news constantly on the radio—television was yet to arrive in the kibbutz in the early nineteen-sixties, or in Israel for that matter—and read his left-leaning newspaper, On Guard, from top to bottom. When I asked him about the film, and what was the meaning of the title, he was surprised to hear about it since it was the first film to be screened outside on the lawn that year. In fact, he busied himself thereafter with getting ready for it. Out of his junk-filled little shade outside by his garden he salvaged his old film-recliner, a special device kibbutz members had invented and built, meant to support their backs and heads while lying down on the grass watching films. “I will let you know tomorrow,” my father said nonchalantly.

I heard that before, I said to myself, my curiosity far from satisfied. As a result, I skipped dinner with my small family that evening in the kibbutz’s dining room and returned promptly to my class-house. My roommates, Dani and Yair, were already waiting for me there, as we’d agreed ahead of time they would do, since eating was not as important that evening as watching the film. For that reason, we spent the next two hours—designed and meant to be spent doing homework—on devising and finalizing our plan of attack. Dani and Yair, unlike me, were not so interested in finding out the meaning of the film’s title, as in discovering the secrets behind the “Adults only” part of it. That was enough of an enticement for them and good enough for me, since all I needed was their cooperation in the planning and preparation stages, and participation thereafter in the daring operation itself. I got plenty of both, as it were.

But first, following a long secretive discussion—other boys, even girls, were not allowed into the room—we managed to come up with a plan. According to that plan Dani, the engineer among us (who later, after his army service, would work in the first factory to be built in the kibbutz), had to find and bring a sturdy rope; Yair, the enforcer (who later would fight and die, barely twenty, on the dunes of the Sinai Desert during the Six-Day War), had to find and bring an empty wooden carrots’ box; and me, the dreamer (who later would leave the kibbutz in search of his pipe dreams) had to find and bring a thick blanket. Which was an easy task for me, readily available. The difficult task was to summon the necessary determination needed to encourage my co-conspirators to stick with the plan, and not to give up on our quest no matter what, during the long night ahead.

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A Surprise Visit

Below is the sixth segment of my new short story—’A Surprise Visit’—never before published.

filmsufi.com

“Don’t look at me like that,” she said tersely, quick to kill that smirk before it had a chance to spread. “And you?”
“Me what?”
“Still crazy?”
“Just starting.”
“Starting what?”
“I don’t know…” he said, hesitating. “To have some freedom.”

They stayed motionless for a long moment, holding each other’s stare without flinching, and without speaking further. She was trying to read his mind, but he allowed no hint to pass through.
“What… you have a new girlfriend in the city already,” she said, losing patience. “Some stupid blond piece?”

He turned his eyes away from her, towards an empty square of a red wall. What he saw there was not red, though, it was black and white: An old photograph of a young, handsome soldier in uniform, a forelock of blond hair falling on his forehead, a far-off look reflected in his eyes.

“Forget I said that, Beni,” he heard Noa’s voice coming as if from a great distance. “What about the army. Did they release you at last?”
“Release me from what?” He gazed back at her, unfocused.
“From your unit, fool. From the army.”
“They can never release me from that, Noa. You should know better.”
“Nonsense. No one is irreplaceable, even you.”

She got closer to him again. Her bare white legs encircled him, as her arms struggled to hug his shoulders. “Is that why you stopped coming?” she whispered. “Stopped writing, too. The wars… the dead?”
He shrugged, lowering his eyes.
“I would’ve helped you, stupid, you know that.”

She inserted her fingers deep into his thick, unruly hair, and pulled his head close to hers. She smelled his hair, inhaling deeply, as her tender lips touched his forehead.
“Did they call you a traitor there, in the kibbutz?” she asked, pulling her head back but still looking at his eyes inquisitively, trying to penetrate them.

“They sure made me feel like one.”
“I bet you didn’t take anything with you.”
“My backpack.”
“Like me,” she said and released him from her hug.

She lay down on the straw mat beside him, her head resting on his thigh, as his hand—ever so hesitantly—smoothed her silky black hair gently. Before long, she was smoking one of his cigarettes, blowing rings of smoke up and around his head.

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A Surprise Visit

Below is the fifth segment of my new short story—’A Surprise Visit’—never before published.

filmsufi.com

Beni, who observed her movements with detached curiosity, turned his eyes away from her now and zeroed them instead—appreciatively so—on the nude woman in the painting. But Noa sat down again and, as if on purpose, blocked his view. Her bare legs were touching his, while she unzipped his bomber jacket.
“You’re not in the army anymore, Beni. Take off your battledress.”
“I’m a bit cold.”
“You’ll be warm soon.”

She sent an enticing smile at him, then poured more wine into their cups. They sipped it slowly, meditatively, looking at one another as if they were both back home after a long journey, rediscovering the color of each other’s eyes. He was the one to look away first, though, as he got hold of the present he’d brought with him and handed it to her.

She unwrapped it and looked fondly at the cover of The Lover, a book by A.B.Yehoshua. She opened it and read his dedication.
“Thanks, Beni. It’s a wonderful book.”
“You read it already?”
“Yes, but I don’t have it. And now I do,” she said and stuck her tongue out. “What about you?”
“What about me?”
“Did you like it?”
“I… I haven’t read it yet. It just came out a few–”
“Liar,” she said, cutting him off. She put the hardcover book aside and got hold of his shirt, pulling his face very close to hers. “I can still read you, Beni, like an open book.”

He smiled, a flush of pleasure stealing into his face. “And what do you read there?”
“Oh… let me tell you, sweetheart: an old-fashioned story about a lover who never truly loves.”

A heavy silence hung in the dense air now, as if not only suspended, but trapped as well in the limited space between them. They were both challenged by their shared memories, yet were dealing with them separately, differently. Noa was quicker to shake them off, as she finally let go of his shirt and opened some distance between them, still staring at him intently.

“What are you doing here in the city, anyway?” she asked.
“Not much.”
“Not much what?”
“Me and the Arab workers are building a university,” he said, a bitter smile playing on his face. “For the religious people.”
“You didn’t leave the kibbutz for that, did you?”
“And what if I did?”
“Nonsense. What do you want to study?”

He hesitated, unclear of his future plans. Or perhaps he was clear, just unsure about opening that door for her.
“I’m taking art lessons now,” she volunteered. “In the evenings.”
“I can see,” he said, looking again at the painting-in-progress on the easel. “I hope you’ll stick with it.”
“Of course I would. My crazy days are over.”
He looked at her closely, as a smirk was struggling to appear on his face.

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A Surprise Visit

Below is the fourth segment of my new short story—’A Surprise Visit’—never before published.

filmsufi.com

Beni put down his cup of coffee and raised his eyes to her. “Good coffee,” he said nonchalantly. “You didn’t forget how…”
“You bastard,” she cut him off, her eyes flashed with anger. And impulsively—true to her nature, though—she threw the book at him.

It grazed his head first, before continuing its trajectory towards a pile of old records leaning on the wall by her bed, crashing into them.
“Why didn’t you call first?” she demanded.
“You don’t have a phone,” he answered, his hand massaging lightly the spot where the book had hit him.
“I do, at the office.”

She stepped closer and kneeled on the floor beside him, her hands on her knees, looking at him puzzled. “Where did you come from so suddenly, anyway?”
“Here. The city.”
“Don’t tell me…” her voice trailed off as she took both his hands in hers. “You left, too?”

He nodded, a mischievous smile passing across his face, as if a page from a book were turning over. And she: she took that smile away from him and transformed it into a burst of all-out laughter. Crazy laughter, at that; so much so that she lay down on the floor, on her back, her whole body shaking with pleasure.

Unsure how to react, Beni tossed his half-smoked cigarette into his empty cup of coffee. He watched closely the thin, bluish line of smoke that began to spiral up to the low ceiling, as if containing—but not revealing, not yet—many secrets. He took a sizeable bite at the cake, consuming it hungrily.
Seeing that, Noa stopped laughing as suddenly as she’d started and moved closer to him, sitting on his stretched legs. She took hold of his hands again, asking, “When?”

“Three months ago, almost.”
“And you couldn’t find a moment to visit me yet, eh?”
“Here I am.”
“At the wrong time, as usual. How come you remembered?”
He shrugged off both her disparaging remark and the question that followed it.
“It’s so unlike you, you know,” she said.
“You’re twenty-one, aren’t you?”
“Twenty-three, sweetheart. Give me a kiss.”

Without waiting for him to respond, she collected his head in her hands and planted a tender kiss on his lips. He absorbed it, but didn’t take full advantage of it. She looked at him straight, as his eyes turned shyly down.
“Thanks, Beni… let’s celebrate!”

Quick as an alley cat, she jumped to her feet and threw open the door to her cupboard. She took off her long dress in one easy move and tossed it inside. She looked at the jumble of clothes there, not shy at all about being practically naked, but for her tiny red panties. She grabbed a thin black sweater and put it on, long enough to cover—just about, though—her buttocks and reach her upper thighs. Next, she removed the rubber band that had held her hair together and shook it loose, allowing the smooth, soft hair to fall naturally on her shoulders.

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A Surprise Visit

Below is the third segment of my new short story—’A Surprise Visit’—never before published.

filmsufi.com


Her gentle, lovely face grew paler, with beads of sweat glistening on her forehead. Perhaps she was sorry she’d said these last few words, realizing their potential implication; or perhaps she was angry with herself for asking Beni in, to begin with. Impulsively, without drinking any wine, she grabbed her eyeglasses back from the corner of a small easel, upon which a painting of a nude, sleeping woman was in the process of taking shape, and put them on.
“I’ll make some coffee,” she said.

In the kitchenette again, she filled the coffee percolator with coffee and water, then turned it on. She stretched her hand to grab coffee cups from an open shelf but then halted, feeling dizzy. In her head a sweet melody—from a different place and a different time—was playing softly, bringing moisture to her eyes. She carried it with her into the small bathroom, where she stopped by the sink and looked at her face in the mirror.

She left behind a dreadful quiet, percolating deep and steady, together with the coffee being made. Dovik was pretending to read, holding an open, thin paperback book of poetry in his hand. Beni drew from his pocket a yellow pack of Ascot cigarettes and offered one to Dovik, who shook his head in disdain. Beni struck fire and inhaled deeply, releasing a long funnel of smoke.
“You work together, I understand,” he said, trying to break the ice.

“Yes, we do.”
“You’re a draftsman, too?”
“Sometimes.”
“He’s an architect, Beni,” called Noa through the bathroom’s open door, still in front of the mirror, carefully inserting a contact lens into her eye. “Not a draftsman.”
“I see… sorry.”

Dovik responded with a forced smile. He seemed very uncomfortable, preferring total quiet. He couldn’t concentrate on reading the book though, and when Noa returned, placing down between them a round tray with three small Arabian cups of steamy black coffee on it, he closed the book with a thump, releasing an inadvertent sigh.

“I must go,” he said and handed her the book.
“No, you’re not,” said Noa in alarm as she took the book from him. “Drink your coffee first, we’ll read some poetry together.”
“It’s very late, Noa. I’ll see you tomorrow at the office.”

He got up and moved to the door, opening it. Noa followed him, looking at him with concerned eyes. He hesitated for a moment, as if he was waiting for her to say something—make a meaningful gesture, maybe, such as a hug or a kiss—but when she didn’t, he turned around and disappeared into the darkness.

Noa stayed in the doorway momentarily, looking outside, before turning inside and closing the door. She stayed there, leaning back on the wall by the door, one hand on her hip, the other holding the thin poetry book. She stared at Beni with burning eyes and tight lips.

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The Messiah

Below is my entire short story, ‘The Messiah,’ published originally in ‘Sambatyon, a Journal of Jewish Writing.’ The story is in an excerpt from my novel, ‘Very Narrow Bridge,’ published in 2011. Enjoy.

The heavy rain, powered by gusty winds, made it very difficult on Gideon Gold to navigate his way to Beach Lane. Not that it would’ve been easy to locate on a normal, sunny day, since it was just an enclave of sorts; stuck, shapeless, between Main Street and the beach. Not far from where, luckily, he found a place to park by the curb.

He stayed in his car, watching hypnotically a narrow strip of gray ocean, thinking – as he was inclined to do whenever he watched the ocean, or at other unscheduled moments in time and place – of his life, and of home, and of the past and of the future. Longing for his apartment by the Mediterranean Sea, in Tel Aviv, where people spoke his language; where he showed some promise as a writer and filmmaker; and where he left so many beginnings unfinished.

He couldn’t comprehend, all of a sudden, what he was doing here in Santa Monica. He felt weakness in his stomach. A familiar feeling of dread, unreasonable dread, engulfed him like the sea. He couldn’t put his thoughts, in Hebrew, into words in English. He had no idea what he was going to say to Sid Landau, if he ever found him, and how he was going to explain to him his involvement in the mysterious disappearance of Raymond De Rosi and his daughter. He was his old self again: the consummate procrastinator. He was in trouble.

But trouble was Gideon’s current territory, his battleground – constantly triggering his memory. And he remembered, while apprehensively considering his next move, that there were certain situations, as a wise Jewish man once observed, when one had to break into the fortified city through the sewer tunnels. King David, he followed this line of thought, took a similar step with the water tunnels when he first captured Jerusalem. That’s how he remembered it, anyhow, from his bible lessons in the kibbutz. And remembering these things – even if their exact meaning was not yet entirely clear to him – helped Gideon and encouraged him to continue. Reenergized, he got out of his car, leaving his hesitations behind.

Ahead of him stretched a narrow-paved path, which led to the “Santa Monica Studios Complex,” and kept going straight in the middle of the lawn, splitting in half two rows of small bungalows. On the wall of the first one, being used as a laundry room, Gideon saw an old, over-used public telephone stuck on the wall, surrounded by graffiti. And on the next door, number two, above the mailbox slot, he found the name he was looking for: LANDAU.
He rang the bell once and waited. Then rang a second time and waited even longer.

He rang a third time, too, thinking of retreating and trying later, since the rain was still at it, and he was – true to form, as if a Californian by birth – without an umbrella. He already turned to go, cursing to himself, when the door opened suddenly and he found himself facing a pudgy man in his late twenties, standing behind a rusty screen door. He wore shorts and a dirty sleeveless shirt, holding an open, half-full bag of potato chips in his hand. He looked at Gideon with watery eyes and said nothing, chewing a potato chip loudly.

“Good morning,” said Gideon, “I’m looking for Mr. Sid Landau.”
“Who are ya?”
“Ah… he doesn’t know me. I’d like a word with him.”
“Why?”
“I’d rather explain it to him myself, if he is around,” said Gideon, and felt an itch in his arm, urging him to punch this mutant right on his fat mouth. Instead, he just added: “I’m not from the IRS, I can assure you.”
“Who is it, Ben?” a shouting voice came from somewhere deep behind the dark doorway.
“Donno,” Ben shouted back. “Wants to talk to ya.”
“I can hear an accent,” the voice kept shouting.
“Yeah, a bit.”
“Ask him where from.”
“Israel,” Gideon shouted back, deciding to cut a corner here, or he’ll never meet the owner of the voice inside.
“Israel…” the voice cried, “let him in, Ben, what you waitin’ for. The Messiah has arrived!”

And with these words, toned firmly as an order, Ben didn’t have a choice but to clear the doorway. Allowing Gideon, who opened the screen door himself, to break through him and face the darkness inside.
“Come here, young Israeli,” Gideon heard a voice calling him and made his way toward it.

What helped him was a large television set showing a video film, on pause now. It threw its blue light on the old man, who was seated in a wheelchair opposite the screen, his legs covered with a blanket. He was completely bald, wore thick eyeglasses but his face – in spite of his advanced age and apparent discomfort – radiated vitality. He stretched his hand.
“I’m Sid Landau. Take me with you.”
Gideon shook the old man’s hand, finding it determinedly strong.
“I’m Gideon Gold. Where to?”
“To Israel, dammit. Where else can the Messiah take me?”
“I’m not the Messiah, Mr. Landau. I’m–”
“Drop the bloody mister, all right!” ordered Sid. “Told you my name, didn’t I?”

Gideon decided to play the situation cool here and go with the flow, instead of against it; which was, usually, his immediate inclination.
“You sure have,” he said.
“Good. Take a seat, then. Movie’s free.”
“I’d rather stand, if you don’t mind,” said Gideon, who by then got accustomed to the semi-darkness and could see no chair around him; just piles of cloths, old newspapers and magazines, books and empty pizza boxes. The TV set and the VCR looked rather new, though, with plenty of videotapes on both sides of the set and on the floor around Sid. And, to top it all – looking like the real deal, in spite of a heavy blanket of dust – an Oscar statuette standing on the TV set, supporting a few movie scripts.

“Please yourself,” said the old man. “So stubborn, you must be a sabra.”
“I’m a double-sabra, actually.”
“A double-sabra… never heard of that one before.”
“Not only I was born in Israel, but in a kibbutz. That’s why.”
“A kibbutznik, I see. What brought you to this meshuga land, then?”
“A woman, naturally. Some dreams, too.”
“Big mistake, Gideon, big mistake. On both accounts.”
“You’re telling me.”
“Wouldn’t dream of it,” said Sid and hit a button in his remote control. The screen came alive with the sound and picture of war. From, Gideon identified right away, Stanley Kubrick’s film: Full Metal Jacket.
“If you’re not taking me to Israel, Gideon, to your kibbutz,” continued Sid, disregarding the film’s noisy soundtrack, “what the hell are you doing here in my digs, ha?”
“I’m looking for Mr. Raymond De Rosi. I thought–”
“Raymond who?”
“De Rosi. He worked with you in the Film Processing Department at Quality Labs.”
“Is that a fact?”
“I think so.”
“Forgot everything about that bloody place, Gideon. Still there, is it, on Lake Street?”
“Apparently so,” said Gideon, who was suffocating in this small, un-air-conditioned studio apartment, with all the windows closed.

“I was a film producer once, Gideon, you know. I lived in Beverly Hills.”
“I have no doubt about that, Sid,” said Gideon, somewhat doubtful; giving the Oscar statuette another look, though.
“So don’t treat me like shit. Hear me?”
“I hear you well.”
“Good. What happened to Ray?”
“I don’t know. He disappeared.”
“Disappeared… don’t tell me that. No one disappears, Gideon. You either lucky enough to be dead, or unlucky to go on living. No two ways about it.”
“You disappeared once, Dad,” shouted Ben, who was sitting at a small table in an open kitchen area, very much a part of the room, still eating his potato chips. “Remember the IRS?”

“Shut up, Ben, adults are talking now,” the old man raised his voice. Then lowered it, addressing Gideon while putting the film on pause again.
“Couldn’t they help you over there, at the bloody labs?”
“They don’t know a thing,” Gideon replied, happy to get his investigation back on track. “He
quit his job one day, out of the blue. Left no address, no telephone number. Nothing.”
“Good for him. I knew he had it in him.”
“You knew?”
Sid nodded, then said: “Old soldiers are like old dogs, Gideon, they never die. Were you in the Israeli army?”
“Sure.”
“Sure what, where?”
“Paratroops. Here and there.”
“No kidding. I was in Korea, man. What a bloody war.”
Gideon was tempted to ask him about his legs, immobile under the blanket, but thought the better of it.
“And Ray was in Vietnam, right?”
Sid nodded, suspiciously. “Is that why you’re looking for him, some old army business?”
“No, not at all. I was hired to find him. Family business.”
“What are you, a private dick or something?”
“Kind of. My first case here in America, actually.”
“I see… an immigrant trying to make a buck.”
Gideon nodded.

“What’s in it for me then?”
Good question, as far as Gideon was concerned. And the first sign that Sid knew, maybe, something concrete.”
“Name your price, Mr. Landau.”
“Now he’s talking,” shouted Ben from his corner, where he was busy watching a portable TV
set, resting on the kitchen counter. “Finally talking.”
“Shut up, Ben. What you watching?”
“Gilligan’s Island.”
“Then watch it and be quiet. I’m not going to take any money from an Israeli soldier.”
“Why not?”
“I’ve got principles, that’s why.”

His son answered that by filling his mouth with air, then punching his blown-up cheeks with both fists, producing a fart-like noise.
“Do you believe, Gideon, that I’m a man of principles?”
“I sure do.”
“Then you’re my man, son. Do you have anything from Israel that you can give me?”
“What: pictures, books, records?”
“No, I’ve got plenty of those. What else do you have?”
Gideon looked around, feeling caged – no escape in sight.
“An Ozi or two will do,” suggested Ben.
Gideon stared at him coldly and shook his head. But then he remembered something, and spoke before he had the chance to give it a second thought.
“I have some soil from Israel, actually, if–”
“Soil!” cried the old man.
“That’s right. From my father’s garden, in the kibbutz.”
“Then bring it over, son, on the double. I need it for my grave.”
“You’re crazy, Dad,” shouted the real son, “he’ll go out and dig some dirt outside. How can you–”
“Shut up, Ben, how many times I have to tell you,” said the annoyed father. “He’s not like you and me, got it? He’s an Israeli, born and bred. A kibbutznik, no less. A double-sabra. They don’t cheat over there. Right, Gideon?”
“Right,” confirmed Gideon, who was not about to dispute – not at that moment, anyhow – the old man’s idealized notion of his birthplace.
“So go home, young man, and bring me soil from the Holy Land. A place I will never see in my own dying eyes.”

Gideon felt the need to say an encouraging word here, but was afraid he would just aggravate the situation even more by doing so. So he retreated to the door and opened it, allowing a flood of bright sunlight to wash this dark cave. The rain was gone, it seemed, unforeseen as when it suddenly had arrived.

“You’ll get some valuable information about Ray in return,” promised Sid.
“Good. It will take me two hours or so. I live in the Valley.”
“In the Valley… what on earth for?”
“I’m a Valley Boy, Sid, I was born in the Jordan Valley. I guess I will die in a valley.”
“Suit yourself. I’m not going anywhere, as you can see,” said the old man and tapped lightly on his knees. “Bring with you a Supreme Combo pizza, too, with everything on it. If you don’t mind.”
“Sure thing.”
“And a six-pack of Miller Light,” shouted Ben from his corner, just before Gideon closed the door.

***
Gideon felt guilty when he opened the door to his apartment. He was about to hand over to a complete stranger the jam jar his father had given him before he left Israel, containing the dark brown soil – darker than anywhere else in the world, Gideon was convinced – he dug out from his garden. No wonder Gideon was remorseful. Even though he was certain that his father, not a young man himself, would’ve urged him to go ahead with it, had he known about it. What’s the problem, he would probably have said, I have enough soil in my garden.

Not only that. Gideon was planning on taking his son Daniel to Israel next Passover. And now, with some extra cash in the bank, he considered it a done deal. Which meant, quite obviously, that he would be able to fill as many jars, with as much soil from his father’s garden, as he could possibly take back with him. Maybe he’d open a business upon his return: “Soil from the Holy Land.” Why not. This is America, after all. Opportunity Land. And the business of America, as the cliché goes here, is business.

But the final argument that convinced him to reach for the jar, without demur, and take it to the dark cave with him, was this: His father, when he gave him the jar of soil, gave it to him for a reason. For a purpose. In the hope that somewhere, someday, someone might be in need of it. And what need could be greater than the need to please an old, bitter, ready to die Jewish man, who lost the hope of ever visiting Israel? Indeed, what better Mitzvah?

***
The door opened rather quickly this time, and Ben Landau grabbed the pizza and beers from Gideon’s hands without saying a word. He took it all to the kitchen table, filthy with leftovers, and dived right into it with the urgency of a man, if not that of a beast, who hadn’t eaten in the last two months.

His father, on the other hand, took the jar of soil with trembling hands and opened it. He put his index finger into it, gently as he could, and stirred the soil for a moment. Even smelled it. He then raised his index finger to his lips and kissed it, before setting his teary eyes on Gideon.
“I’m glad I’ve met you, Gideon.”
“So am I, Sid.”
“God sent you to me, I know that,” he said and recapped the jar carefully. Then turned his attention to his son, raising the jar.
“You see this jar, Ben?”

His son nodded, mouthful of pizza, still watching the portable TV.
“First thing to go into my grave, the soil. Right on my coffin. You hear me?”
“Sure dad, don’t worry,” said Ben and opened a can of beer. “Do I ever forget anything at the store, or the pharmacy, or the bloody video place? Do I?” He lifted the beer to his mouth, before his father could answer.
“No, you don’t,” said Sid quietly, as if talking to himself, his eyes caressing the jar of soil a while longer, before turning his attention back to Gideon.

“Now what about Ray. What happened to him?”
“He disappeared, apparently.”
“What do you mean by that?”
“He quit his job at the labs one day, as I told you. He no longer lives where he used to. Left no contact information. No trace at all.”
“It’s a free country, man, the last I heard.”
“Not when you kidnap your teenage daughter, then it’s not. Her mother–”
“A daughter!” exclaimed Sid in utter disbelief. “Don’t tell me that please. Just don’t tell me that!”

“That’s what Ray said, too, when he first heard of her existence.”
“Ha… strange,” said the old man, scratching his head. “Kidnapping his own daughter… something’s fishy here.”
“Exactly,” said Gideon, trying to capitalize on the momentum created by his latest revelation. “When was the last time you heard from him?”
“Oh, no way I remember that,” said the old man. “We were buddies only at the labs, see. No more than that. He had no friends, you know. Never mentioned women, either.”
“He was a fruitcake!” volunteered Ben from his corner.
“Don’t think so myself,” said his father.
“Did he use to go anywhere on vacations?” persisted Gideon. “Anyplace you may know of?”
“Of course. Catalina Island.”
“Catalina Island…”
“That’s the place, Gideon. Like clockwork he went there, every year.”
“At what time?”
“In the fall, I believe. October probably.”
“Where did he stay there, do you know?”
“Let me think,” said the old man and wrinkled his sweaty forehead. “He told me once.”
“Maybe a slice of pizza would help jump-start your memory,” suggested Gideon.
“Sure, son, sure,” said Sid gladly. “And a can of beer to keep it running.”

Gideon was happy to do that, as there was no sign whatsoever that Sid’s own son, still eating and drinking, would help him anytime soon in this regard.
“Did he like it there, in Catalina?” asked Gideon after Sid was already busy with the slice of pizza he’d handed him.
“Like it, man, you must be kidding. He adored the place, even planned to retire there.”
“Are you serious?”
“Never been more serious in my life. He used to hike there all over the place. Though he was wounded in Nam, did you know that?”
“Yes. He won the Medal of Honor, too.”
“No shit!” Sid blurted out so loud, pieces of pizza came flying out of his mouth.

Gideon nodded calmly.
“The bastard. Never told me a thing about it.”
“Did he tell you whether he stayed there in a hotel, or–”
“Inn,” the old man cut him short, “I can remember now. The Inn on mount something.”
“Mount something…?”
“Mount Ada, that’s it. Positive,” Sid reassured himself, as well as Gideon. “ Eat some pizza,
Gideon, it’s good for you.”
“No thanks,” said Gideon. He took out of his pocket a small pad and a pen – the way he saw detectives do in so many films he admired – and wrote the info down.
“That’s all the valuable information you have for me, Sid, I take it?”
“That’s all she wrote, man. He was a piece of work Ray, told you. No women, no drinking, no nothing. And now you’re telling me he won the Medal of Honor. I’ll be dammed.”

He hit the play button on his remote and soon the mayhem and noise of the Vietnam War, as depicted so aptly in Kubrick’s film, was on again. And the attention of the old man drifted toward the television screen, leaving Gideon no option but to drift himself toward the door, saying:
“I wish you good health, Sid.”
“Don’t say that, Gideon. Death is sittin’ on my nose already, staring back at me all the time.
Don’t you see it?”

Gideon shook his head, feeling for the doorknob while eyeing Ben, still drinking beer and watching the portable TV. He opened the door, sending a last inquisitive look at the Oscar statuette, contemplating a discussion about it before leaving.
“Shalom friend,” said the old man and raised the jar of soil, shaking Gideon out of his contemplations. “I knew you’re the Messiah the moment the bloody door opened. You’ve made my day, son.”
“Same here,” said Gideon – his voice sad, much more than the simple words could convey –and closed the door.

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The Messiah

Below is the last segment of my short story, ‘The Messiah,’ published originally in ‘Sambatyon, a Journal of Jewish Writing.’ The story is in an excerpt from my novel, ‘Very Narrow Bridge,’ published in 2011. Enjoy.

“Are you serious?”
“Never been more serious in my life. He used to hike there all over the place. Though he was wounded in Nam, did you know that?”
“Yes. He won the Medal of Honor, too.”
“No shit!” Sid blurted out so loud, pieces of pizza came flying out of his mouth.

Gideon nodded calmly.
“The bastard. Never told me a thing about it.”
“Did he tell you whether he stayed there in a hotel, or–”
“Inn,” the old man cut him short, “I can remember now. The Inn on mount something.”
“Mount something…?”
“Mount Ada, that’s it. Positive,” Sid reassured himself, as well as Gideon. “ Eat some pizza, Gideon, it’s good for you.”
“No thanks,” said Gideon.

He took out of his pocket a small pad and a pen – the way he saw detectives do in so many films he admired – and wrote the info down.
“That’s all the valuable information you have for me, Sid, I take it?”
“That’s all she wrote, man. He was a piece of work Ray, told you. No women, no drinking, no nothing. And now you’re telling me he won the Medal of Honor. I’ll be dammed.”

He hit the play button on his remote and soon the mayhem and noise of the Vietnam War, as depicted so aptly in Kubrick’s film, was on again. And the attention of the old man drifted toward the television screen, leaving Gideon no option but to drift himself toward the door, saying:
“I wish you good health, Sid.”
“Don’t say that, Gideon. Death is sittin’ on my nose already, staring back at me all the time.
Don’t you see it?”

Gideon shook his head, feeling for the doorknob while eyeing Ben, still drinking beer and watching the portable TV. He opened the door, sending a last inquisitive look at the Oscar statuette, contemplating a discussion about it before leaving.

“Shalom friend,” said the old man and raised the jar of soil, shaking Gideon out of his contemplations. “I knew you’re the Messiah the moment the bloody door opened. You’ve made my day, son.”
“Same here,” said Gideon – his voice sad, much more than the simple words could convey –and closed the door.

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Filed under Crime, Culture, Literary

Messiah

Below is the fifth segment of my short story, ‘The Messiah,’ published originally in ‘Sambatyon, a Journal of Jewish Writing.’ The story is in an excerpt from my novel, ‘Very Narrow Bridge,’ published in 2011. Enjoy.

Gideon felt guilty when he opened the door to his apartment. He was about to hand over to a complete stranger the jam jar his father had given him before he left Israel, containing the dark brown soil – darker than anywhere else in the world, Gideon was convinced – he dug out from his garden. No wonder Gideon was remorseful. Even though he was certain that his father, not a young man himself, would’ve urged him to go ahead with it, had he known about it. What’s the problem, he would probably have said, I have enough soil in my garden.

Not only that. Gideon was planning on taking his son Daniel to Israel next Passover. And now, with some extra cash in the bank, he considered it a done deal. Which meant, quite obviously, that he would be able to fill as many jars, with as much soil from his father’s garden, as he could possibly take back with him. Maybe he’d open a business upon his return: “Soil from the Holy Land.” Why not. This is America, after all. Opportunity Land. And the business of America, as the cliché goes here, is business.

But the final argument that convinced him to reach for the jar, without demur, and take it to the dark cave with him, was this: His father, when he gave him the jar of soil, gave it to him for a reason. For a purpose. In the hope that somewhere, someday, someone might be in need of it. And what need could be greater than the need to please an old, bitter, ready to die Jewish man, who lost the hope of ever visiting Israel? Indeed, what better Mitzvah?

***
The door opened rather quickly this time, and Ben Landau grabbed the pizza and beers from Gideon’s hands without saying a word. He took it all to the kitchen table, filthy with leftovers, and dived right into it with the urgency of a man, if not that of a beast, who hadn’t eaten in the last two months.

His father, on the other hand, took the jar of soil with trembling hands and opened it. He put his index finger into it, gently as he could, and stirred the soil for a moment. Even smelled it. He then raised his index finger to his lips and kissed it, before setting his teary eyes on Gideon.

“I’m glad I’ve met you, Gideon.”
“So am I, Sid.”
“God sent you to me, I know that,” he said and recapped the jar carefully. Then turned his attention to his son, raising the jar.

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Filed under Crime, Culture, Literary